[會員登入]  [注冊新會員]    購物車中有 件商品
 
商品搜索:
 首 頁
 本站永久網址:http://www.gg77tv.com      設為首頁      加入我的最愛
 顧客留言  訂購需知  
  人氣商品排行
 
  商品分類
菜單控制:【展 開】 | 【折 疊
 
  商品銷售排行
1 . 【平裝版藍光】[英] 雷神索爾3:諸神黃昏 (2017)〈台版〉
2 . 【平裝版藍光】[英] 不可能的任務:全面瓦解 (2018)(Atmos 版) 〈台版〉
3 . 【平裝版藍光】[英] 水底情深 (2018)〈台版〉榮獲第90屆奧斯卡最佳影片/ 最佳導演
4 . 【平裝版藍光】[英] 敦克爾克大行動 (2017)〈台版〉
5 . 【平裝版藍光】[英] 氣象戰 (2017)〈台版〉
6 . 【平裝版藍光】[英] 銀翼殺手2049 (2017)〈台版〉
7 . 【平裝版藍光】[英] 古墓奇兵 (2018)(Atmos 版)〈台版〉
8 . 【平裝版藍光】[英] 疾速救援 (2018)〈台版〉(Atmos 版)
9 . 【平裝版藍光】[英] 美國製造 (2017)〈台版〉
10 . 【平裝版藍光】[英] 戈登·拉姆齊:美食祕境 第三季 (2021)
 
【平裝版藍光】浦朗克:聖衣會修女對話錄 歌劇/ 羅雷爾指揮愛樂管弦樂團與香榭麗舍劇院合唱團 (2014) << 返 回
Poulenc: Dialogues des Carmelites / Philharmonia Orchestra / Jeremie Rhorer
產品編號:BC-29180

  所屬分類: 歌劇、舞台劇
  語      言: 英語
  字幕/版本: 繁體中文
  級      別: 1
  演      員: Sophie Koch     Patricia Petibon     Sandrine Piau     Rosalind Plowright     
  片      數: 1片
  光碟類別: 25G藍光
 NT$50元
 
 
影像:1080P

音軌1:PCM_bluray,48000Hz,stereo,s16,1536 kb/s

音軌2:ac3,48000HZ,5.1,448 kb/s

字幕:繁中-簡中-英-德-法


☉羅雷爾指揮愛樂管弦樂團與香榭麗舍劇院合唱團
☉蘇菲•科克〈次女高音〉珀蒂邦〈女高音〉讓斯〈女高音〉皮奧〈女高音〉羅莎琳•普羅賴特〈次女?音〉列赫提普烏〈男高音〉魯約〈男中音〉瓦弗里勒〈次女高音〉龐德日克利〈次女高音〉皮奧利諾〈男高音〉迪福〈男高音〉尤里•紀新〈男低音〉勒克羅阿爾〈低男中音〉

*此份製作為紀念朗克逝世五十週年,於2013年年底在巴黎香榭麗舍劇院演出《聖衣會修女對話錄》。法國最權威的報紙《世界報》稱讚這一次的演出是近期「巴黎的舞台上,最讓人興奮與完成度極高的製作……少見音樂與戲劇的完美結合」。

由於好友猝逝,浦朗克在1936年重拾天主教信仰。第二次世界大戰更讓他重新思考起人類的良心問題,並且把這些想法譜成音樂,歌劇《聖衣會修女對話錄》就是代表作,1957年於米蘭史卡拉歌劇院首演。歌劇大意如下:

由於法國大革命造成社會動盪,伯爵的女兒布朗熱決定進入建立於十五世紀,以嚴格修行聞名的聖衣會女修道院求得心靈平靜。但是在社會反貴族的氣氛下,即使在修道院裡,布朗熱也不能享有真正的平靜。一連串的事故,加上父親被處死的事件讓布朗熱的信仰產生動搖,離開修道院。當警察也宣布修道院已經國有化,要求修女們放棄信仰時,全部的修女決定一同殉教。在革命廣場上,修女們坦然走向斷頭台,修女們的歌聲與群眾的合唱融為一體。這時,已經釐清自己真正想法的布朗熱從群眾中走出來,一同隨著眾修女們一起赴刑。

為了紀念浦朗克逝世五十週年,法國導演奧利維耶•皮,以及當前歌劇界優秀的法國女聲樂家們,如:珀蒂邦、讓斯、皮奧、蘇菲•科克……於2013年年底在巴黎香榭麗舍劇院演出《聖衣會修女對話錄》。法國最權威的報紙《世界報》稱讚這一次的演出是近期「巴黎的舞台上,最讓人興奮與完成度極高的製作……少見音樂與戲劇的完美結合」。


菜單:英文
字幕:英/法(演唱)/德語字幕/中文字幕(後加)

Poulenc: Dialogues des Carm?lites
Live at the Th?atre des Champs-Elys?es, 2013
Sophie Koch (M?re Marie de l'Incarnation), Patricia Petibon (Blanche de La Force), V?ronique Gens (Madame Lidoine), Sandrine Piau (Soeur Constance de Saint Denis), Rosalind Plowright (Madame de Croissy), Topi Lehtipuu (Le Chevalier de La Force), Philippe Rouillon (Le Marquis de La Force), Annie Vavrille (M?re Jeanne de l'Enfant J?sus), Sophie Pondjiclis (Soeur Mathilde), Fran?ois Piolino (Le P?re confesseur du couvent), J?r?my Duffau (Le premier commissaire ), Yuri Kissin (Le second commissaire, un officier) & Matthieu L?croart (Le ge?lier)
Philharmonia Orchestra & Ch?ur du Th?atre des Champs-Elys?es, J?r?mie Rhorer (conductor) & Olivier Py (director)
Pierre-Andr? Weitz – design and costumes
Bertrand Killy – lighting
Herv? Gary – lighting
Natalie Van Parys – choreography
Olivier Simonnet – filming director
At the end of 2013, the year that marked the 50th anniversary of Francis Poulenc's death, his gripping and moving operatic masterpiece, Dialogues des Carm?lites was staged in Paris by director Olivier Py with a cast featuring some of France's finest female singers – Patricia Petitbon, V?ronique Gens, Sandrine Piau and Sophie Koch – under the baton of J?r?mie Rohrer. Le Figaro described the production as “a thing of wonder,” while Le Monde called it: “A masterpiece ... the most exciting and consummately achieved show to have been seen on a Parisian stage in a long time … This was great work, magisterial and unforgettable.”
“The memorable Dialogues des Carm?lites at the Th?atre des Champs-Elys?es marked the climax of commemorative activities for the 50th anniversary of Poulenc's death,” wrote Opera magazine of the production of Poulenc's gripping and moving opera that was staged by the French director Olivier Py in Paris in December 2013.
Among operas composed in the post-War era, Dialogues des Carm?lites, first seen in 1957 at La Scala, is one of the most frequently performed and best loved. Set during the French Revolution, it tells the story of a highly-strung young aristocrat , Blanche de la Force, who seeks peace by joining a convent and finally goes to the guillotine with her fellow nuns. Faith, fear, and sacrifice are among the issues it addresses with music – sometimes austere, sometimes sensuous, sometimes both at once – that exemplifies Poulenc's characteristic amalgam of simplicity and sophistication. Its final scene, as the nuns go one by one to their execution while singing a soaring 'Salve regina', is of spine-tingling pathos and power.
The stark, monochrome decor for Py's production, designed by Andr? Weitz, makes use of sliding panels that open and close to create the acting space or reveal expressionist vistas, while the costumes evoke the first half of the 20th century rather than the era of the Revolution itself. Especially striking is the death scene of Madame de Croissy, the old Prioress, searingly sung and acted by the British mezzo-soprano Rosalind Plowright: the audience views her agonies as if from above, since her bed is mounted vertically on the rear panel of the stage. Later in the opera, when it comes to the final night in their convent, before their expulsion by the revolutionaries, the nuns are assembled as if for the Last Supper, while the stunning, transcendent final scene is set against a starry sky.
Duration: 169 minutes
Languages: Sung in French, with subtitles available in English and German and Chinese
Audio specs: 16:9 / LPCM STEREO/Dolby Digital 5.1

 
 
Copyright © 2005-2013 110bd.com All Rights Reserved.
-- 友 - 情 - 鏈 - 接 --

debug: 0.705018 mic second