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【平裝版藍光】威爾第 - 茶花女 歌劇 / 巴黎國家歌劇院 (2015) << 返 回
Verdi: La Traviata
產品編號:BC-25267

  所屬分類: 歌劇、舞台劇
  語      言: 英語
  字幕/版本: 簡體中文
  演      員: Diana Damrau     Francesco Demuro     Ludovic T?zier     
  片      數: 1片
  光碟類別: 25G藍光
 NT$50元
 
 
注意事項
簡體中文
 
巴黎歌劇院在這一次重新製作《茶花女》,特地請來法國電影導演班諾賈克。班諾賈克的靈感來自馬內的畫作,有著十九世紀華麗的服裝與醒目的裝飾。女主角丹姆勞以細膩的音色變化與表現力豐富的樂句,演活了身體孱弱但是為愛付出一切的茶花女。《金融時報》讚賞她無論是演唱輕柔的極弱音或是爆發力都非常出色,男主角德穆洛不只有英挺的外型,還有「青春的熱情與鈴聲般的男高音音質」。


Verdi: La Traviata
Live from the Op?ra National de Paris
Diana Damrau (Violetta), Francesco Demuro (Alfredo), Ludovic T?zier (Germont), Anna Pennisi (Flora), Cornelia Oncioiu (Annina), Kevin Amiel (Gastone), Fabio Previati (Il Barone Douphol), Igor Gnidii (Il Marchese d’Obigny), Nicolas Test? (Dottore Grenvil)
Orchestre et Ch?ur de l’Op?ra National de Paris, Francesco Ivan Ciampa

Diana Damrau’s primacy as an interpreter of Violetta Val?ry in La traviata can be inferred from the names of theatres where she has performed Verdi’s most popular opera: the Metropolitan, New York; La Scala, Milan; London’s Royal Opera House; the Bavarian State Opera in Munich and the Zurich Opera. Paris’s Op?ra Bastille joined that list of leading houses in June 2014, when the German soprano appeared in a new production by the film director Beno?t Jacquot. Conducted by Francesco Ivan Ciampa, it is presented on this DVD release from Warner Classics, which joins a DVD of Verdi’s Rigoletto, with Damrau as Gilda, recorded in Dresden and released in 2010, and the recent CD release of the soprano’s spine-tingling interpretation of Donizetti’s Lucia di Lammermoor, recorded live in Munich.

When she first sang Violetta – in New York in 2013 – Damrau told the Metropolitan Opera’s Playbill that: “I waited a long time to tackle this role because it’s very special for me. I fell in love with opera watching the Franco Zeffirelli movie of La traviata with Teresa Stratas and Domingo as Alfredo. I was 12 and I sat glued to the TV screen and I cried, and afterwards I thought, ‘This is the most beautiful thing humankind can create.’ But I wanted to wait, because to sing Violetta and express her feelings you really have to understand life.

... Violetta’s done it all, and she knows she’s going to die and that when she’s gone people won’t care. But she has a very honest heart. She’s the only person in the opera who loves without limits. And to give up Alfredo for the sake of his family – greater love is not possible. She’s selfless.”

Jacquot’s production, praised for its beauty, elegance and intelligence by the French newspaper Les Echos, is set firmly in the 19th century. It takes inspiration from the paintings of Manet and features sumptuous 19th century costumes and striking decor, such as monumental canopy bed in Act I and a huge tree and a giant staircase for Act II.

When it came to the performances, Les Echos said that Diana Damrau “lived up to expectations” with “such expressive truth and such a palette of nuances in every phrase” and with her understanding of Violetta’s physical and psychological fragility. The Financial Times stated that “ ... [Damrau’s] voice is simply glorious, whether in cradled pianissimi or heroic outbursts,” and went on to praise her male partners: “Her good-looking Alfredo, Francesco Demuro, has youthful passion and ringing tenor tone ... As Germont p?re, Ludovic T?zier shows off his superb baritone.” The British magazine Opera, meanwhile, felt that: “Ludovic T?zier ... could hardly be bettered, blending velvet and steel and assuring a superb legato.”


 
 
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